#977: Putin on 'da Blitz
(Note: The title of this essay is, for those in the know, a word-play on a popular 1927 song by the great Irvin Berlin entitled “Puttin’ on the Ritz,” a slang expression meaning “to dress very fashionably.” There are 2 versions of the song: the original late ‘20s rendition in which the “swells” are Black Harlemites, and the updated 1946 version in which the nabobs are Park Avenue dandies. The latter version is known for the lyric “Dressed up like a million-dollar trouper/Trying hard to look like Gary Cooper (super duper”).
For the past 7 weeks (with 1 week left to go), I have been presenting a film course at Florida Atlantic University, Jupiter campus, on films written by the masterful two-time Academy Award-winning screenwriter Dalton Trumbo. He was easily one of the best and most versatile wordsmiths in the 100+ year history of Hollywood. His masterpieces ranged from the romantic (Kitty Foyle and Roman Holiday) to film noir (He Ran All the Way and Gun Crazy), historic spectacle (Spartacus and Exodus), guts and glory war pictures (Thirty Seconds Over Tokyo) adventure (Papillon - his last) and two-hankie weepers (Our Vines Have Tender Grapes and The Brave One).
Despite his glowing track record, Trumbo - along with fellow screenwriters John Howard Lawson, Alvah Bessie, Herbert Cole, Ring Lardner, and Herbert Bieberman, as well as director Edward Dmytryk were sent to prison and essentially blacklisted from the Hollywood film industry as members of the “Hollywood Ten.” Their crime? Members of the House Un-American Activities Committee, as well as what used to be called “Ladies’ Groups”, leading Hollywood gossip columnists (Hedda Hopper, Louella Parsons, and Walter Winchell et al), and the Catholic Legion of Decency declared them to be “Communists,” “Communists sympathizers” and “Premature Anti-Fascists.” Eventually the net spread out by the so-called “defenders of 100% Americanism” ensnared hundreds - perhaps even thousands - of actors, editors, cinematographers, musical directors, and trade unionists; some went from the sound stages of Hollywood to the stages of Broadway or the microphones of radio; many lost their jobs, some packed up their families and went into exile; a handful even committed suicide.
Looking back on the politics of that dark, dark time, it is easy to see that the vast majority of those behind the “Reds Under the Beds” scare were staunch ultra-conservatives - largely midwestern Republicans and Southern Democrats. Many were racist or anti-Semitic. Whether or not they really, truly believed all the rhetoric they spewed or had simply found anti-Communism to be a great tool with which to climb the political ladder, is still unknowable. Many reveled in having the ability to look into the eyes of a Hollywood personality and ask, for seemingly the millionth time “Are you now, or have you ever been, a Communist?”
Frequently, the evidence used against a witness to “prove” that they were a “Red” (or a “Pink,” in the vocabulary of the era) was as thin as a sheet of Kleenex. Case in point, Trumbo was asked if he wrote the film “Tender Comrade,” which, at one point, had Ginger Rogers say “Share and share alike . . . that’s the democratic way.” “Yes, Trumbo responded. When he explained that the term “Tender Comrade” came not from his pen but rather from a poem that the late Scottish novelist Robert Louis Stevenson (Dr. Jekyll & Mr. Hyde, Kidnapped and A Child’s Garden of Verses among other wonderful works) had written for his wife. Trumbo read aloud a few lines from Stevenson’s poem, simply entitled My Wife (1896): To my wife: Teacher, tender, comrade, wife. A fellow-farer in life . . . “ The Congressman who asked Trumbo the question then asked, “Was this Stevenson a Fellow Traveler like you?” Shades of Jim Jordan!
There is an old saw which states “The more things change, the more they remain the same.” The way things have been going these past several years, I must conclude that this adage must be tossed out. Why? 75 years ago, when Dalton Trumbo and his ilk were facing a Republican-led inquisition those sitting above them were staunchly anti-Communist. Anything - ANYTHING - that smacked of Joseph Stalin, Russia or collectivism, liberalism or universalism was the work of the Devil . . . evil incarnate. Today, large parts of the Republican Party (a.k.a. “The Party of Trump”) treat Vladimir Putin as if he were an ideological ally. Putin, by contrast, continues to treat the U.S. as an enemy. How the Trumps, Jordans, Tubbervilles, and (Mike) Johnsons of this world support the blitz against Democracy that comes from Putin’s Kremlin, Viktor Mihály Orbán’s Hungary and other autocrats with blood on their hands is incomprehensible.
For quite a few years, the loyal opposition has believed that the FPOTUS must walk in lockstep with Putin because the latter has some salacious scandal - with or without photos and video - with which to keep him in line. Whether true or not, I think it goes far, far deeper. As David Leonhardt and Ian Prasad Philbrick wrote in a recent piece in the New York Times: Trump and many other Republicans seem to feel ideological sympathies with Putin’s version of right-wing authoritarian nationalism. They see the world dividing between a liberal left and an illiberal right, with both themselves and Putin — along with Viktor Orban of Hungary and some other world leaders — in the second category.
Already, House Republicans have blocked further aid to Ukraine — a democracy and U.S. ally that Putin invaded. Without the aid, military experts say Russia will probably be able to take over more of Ukraine than it now holds.
If Trump wins a second term, he may go further. He has suggested that he might abandon the U.S. commitment to NATO, an alliance that exists to contain Russia and that Putin loathes. He recently invited Russia to “do whatever the hell they want” to NATO countries that don’t spend enough on their own defense. (Near the end of his first term, he tried to pull American troops out of Germany, but President Biden rescinded the decision.)
Trump has also avoided criticizing Putin for the mysterious death this month of his most prominent domestic critic, Aleksei Navalny, and has repeatedly praised Putin as a strong and smart leader. In a town hall last year, Trump refused to say whether he wanted Ukraine or Russia to win the war.
There are some caveats worth mentioning. Some skepticism about how much money the U.S. should send to Ukraine stems from practical questions about the war’s endgame. It’s also true that some prominent Republicans, especially in the Senate, are horrified by their party’s pro-Russian drift and are lobbying the House to pass Ukraine aid. “If your position is being cheered by Vladimir Putin, it’s time to reconsider your position,” Senator Mitt Romney of Utah said last month.
The shift in elite Republican opinion toward Russia and away from Ukraine has influenced public opinion.
Shortly after Russia invaded, about three-quarters of Republicans favored giving Ukraine military and economic aid, according to the Chicago Council on Global Affairs. Now, only about half do.
Republican voters are also less likely to hold favorable views of Zelensky. In one poll, most Trump-aligned Republicans even partly blamed him for the war. Republicans also support NATO at lower rates than Democrats and independents, a shift from the 1980s. These are the kinds of things that those speaking on behalf of the Democratic Party should be warning American voters about. Republican fascination with Putin and Russia is real. - and extraordinarily dangerous to the future of democracy.
And whether they realize it or not, the Russian autocrat is “Putin on ‘da blitz.”
Copyright©2024 Kurt Franklin Stone